More examples of photopolymer prints
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The Empty Kitchen Margaret Ambridge Intaglio photopolymer print 14 x 21 cm 1999The image was drawn onto autotex film using lithographic pencils. A double exposure was used when making the plate. |
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Between the Waves Shaw Hendry Relief photopolymer print 29 x 42 cm 1996This image was made using Adobe Photoshop. The file was taken to a digital film printing business where a film negative was made, right-reading emulsion up, with a screen ruling of 110 lpi. |
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Untitled Jan Green Intaglio photopolymer print 15 x 21 cm 1996To make this multiple plate print two film positives were made. The first one was a drawing photocopied onto transparency film.The intaglio print taken from the first plate was the basis for the second film positive which was drawn onto double-matt drafting film. |
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Love Christine McCormack Relief photopolymer print 30 x 40 cm 1997The image was drawn onto scraperboard which was then scanned, enhanced, and printed onto film at a digital film printing business. The film requested was A3, film negative, with right-reading emulsion up, with a screen ruling of 110 lines per inch. the plate was printed in relief onto slightly dampened Magnani paper using a thin layer of Van Son rubber-based ink. |
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Seeking Sanctuary Seraphina Martin Intaglio photopolymer print 39 x 56 cm 1997The colour plate for this print was made using Create monoprinting paints and Caran D’ache crayons. |
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Seeking Her Olga Sankey Intaglio and relief photopolymer print 14 x 35 cm 1996A combination of hand drawn and digital films were used to create Torelief WS95 plates. |
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Seeking Him Olga Sankey Intaglio and relief photopolymer print 14 x 35 cm 1996A combination of hand drawn and digital films were used to create Torelief WS95 plates. |
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Camille Margaret Ambridge Intaglio photopolymer print 14 x 10 cm 1995Litho pencils and lithographic tusche were drawn onto sandblasted glass. Torelief WS95 plate was exposed for 3 minutes in a UV exposure unit. |
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Untitled Elizabeth Abbott Intaglio photopolymer print 14 x 10 cm 1999A piece of curtain material and human hair were placed directly on the plate surface and clamped into an exposure frame. The plate printed beautifully both intaglio and as a relief print. |
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Shared Territory Jenny Clapson Intaglio photopolymer print 13 x 11 cm 1997Litho crayons were drawn onto sandbalsted glass to create three plates which were printed in register. Each Torelief WS95 plate was exposed for 3 minutes in a UV exposure unit. |
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Kangaroos in the Gully Jenny Clapson Intaglio photopolymer print 36 x 33 cm 1996Two torelief WS95 plates were made using different types of film. One film used lines drawn onto double-matt drafting film, while the other was painted black and then scratched back into when dry. |
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“Yes?” Craigh Marsden Intaglio photopolymer print 16.5 x 13 cm 1999Kodak premium inkjet transparency film and an Epson Color Stylus 600 were used to print a digital file. Torelief WS95 plate was exposured twice, firstly with the film positive and the secondly with a CristalRaser (random dot) screen. |
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Nita at 21 Dianne Longley Intaglio photopolymer print 14 x 10 cm 1999An old family photograph was copied onto transparency film using the black and white setting on a colour photocopier to produce a film positive. |
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Chance Dianne Longley Intaglio photopolymer print 13.5 x 9.5 cm 1999This image was printed from a Miraclon MS43 polymer plate. The plate was double exposed using a CristalRaster (random dot) screen. A drawing using a technical pen onto double-matt drafting film was used to create a film positive. |
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Changes Dianne Longley Intaglio photopolymer print 13.5 x 9.5 cm 1999This image was printed from a Miraclon MS43 polymer plate. The plate was double exposed using a CristalRaster (random dot) screen. A drawing using a technical pen onto double-matt drafting film was used to create a film positive. |
